it is possible that in the context of the music and artistic climate of the time Debussy would neverthless have undergone the same development, even without having heard gamelan music. Be that as it may, it would seem that the Javanese performance at the Exposition, which clearly impressed him, would have shown him possibilites in the handling of sonority to which he might not otherwise have been exposed, rather than in the style such as scale, harmony and rhythm.
On studying a mutual influence of the East and West, Scholars always should give careful eyes looking into the issue as a whole.
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Preface
[총론] 드뷔시 작품에 끼친 인도네시아 음악문화적 영향의 사회·역사적 재평가
Chapter Ⅰ General Characteristics of Indonesian gamelan Music
Chapter Ⅱ The Javanese Music At The 1889 Universal Exposition In Paris
Chapter Ⅲ Debussys Style Before 1889
Chapter Ⅳ Indonesian Influence On Debussy After 1889
Chapter Ⅴ Conclusion
Appendices
Bibliodraphy
Index
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